VIDEOS | Alanna Lockward

Home

Haïti-RD: La sentence 168-13 crée une Hiroshima civile, selon la journaliste Alanna Lockward

Interview with Edner Fils Dècime for AlterPresse

February 20, 2014

Part 1

Part 2

Presentation of Marassá y la Nada @ Edge Zones Miami

Feb. 17, 2014

Documentation by Glenda Galán. Dominicana en Miami

Curating Afropean Decoloniality and the White Saviour Industrial Complex (Sometimes Known As European Political Art)

12th Annual Students and Graduates Conference: American Wars: Material & Ideological Battlegrounds, Humboldt University Berlin, Department of English and American Studies

Nov 9, 2013

Entrevista con Pia Castro

Alemania con Acento. Deutsche Welle

September 9, 2013

Part 1

Part 2

Part 3

Towards an Afropean Decolonial Aesthetics

DECOLONIZING THE “COLD” WAR. BE.BOP 2014. BLACK EUROPE BODY POLITICS.

Ballhaus Naunynstrasse, Berlin, May 2013

Interview with Rod Sachs during the Decolonial Summer School Middlerburg, 2013

Organized by Walter Mignolo and Rolando Vázquez

June 2013

Keynote speech on Decolonial Aesthetics
The lecture was part of a series of events organized by Framer Framed in the context of the exhibition Who More Sci-Fi Than Us? (curated by Nancy Hoffmann, 2012), in cooperation with Non Employees and Kunsthal KAdE.

June 17, 2012

Decolonial Aesthetics Panel, Havana Biennial 2011

Organizers: Raul Ferrera-Balanquet & Miguel Rojas-Sotelo

May 14th, 2012

Leave a Reply Cancel reply

Enter your comment here...

Fill in your details below or click an icon to log in:

Email (required) (Address never made public)

Name (required)

Website

You are commenting using your WordPress.com account. ( Log Out / Change )

You are commenting using your Facebook account. ( Log Out / Change )

Connecting to %s

Alanna Lockward is a Berlin and Santo Domingo based Dominican author, curator and filmmaker. She is the founding director of Art Labour Archives, an exceptional platform spiraling consistently on theory, political activism and art since 1996. Her interests are Caribbean marronage discursive and mystical legacies in time-based practices, critical race theory, decolonial aesthetics/aesthesis, Blak feminism and womanist ethics. Lockward is the author of Apremio: apuntes sobre el pensamiento y la creación contemporánea desde el Caribe (Cendeac, 2006), a collection of essays, the short novel Marassà & The Nothingness (Partridge Africa 2016) and Un Haití Dominicano. Tatuajes fantasmas y narrativas bilaterales (1994-2014), a compilation of her investigative work on the history and current challenges between both island-nations (Santuario 2014).

She was cultural editor of Listín Diario, research journalist of Rumbo magazine and columnist of the Miami Herald and is currently a columnist of Acento.com.do. Her essays and reviews have been widely published internationally by Afrikadaa, Atlántica, ARTECONTEXTO, Arte X Excelencias, Art Nexus, Caribbean InTransit and Savvy Journal. In 2014 she was the guest columnist of Camera Austria.

At the Museo de Arte Moderno (Santo Domingo) Lockward was appointed Director of International Affairs (1988) and was designated as Selection Jury of the XX Bienal Nacional de Artes Visuales (1996) and as Award Jury in its 26 edition (2011).

She is adjunct professor of audiovisual theory and investigative journalism at PUCMM and has been a guest lecturer at the Humboldt Universität zu Berlin, the Decolonial Summer School Middelburg, the University of Warwick, Dutch Art Institute and Goldsmiths University of London and has been a panelist at the University of Kwa-Zulu Natal (South Africa) and Duke, Columbia and Princeton Universities in the US. She is academic advisor of Transart Institute and is associated scholar of Young Scholars Network Black Diaspora and Germany. She has conceptualized and curated the groundbreaking trans-disciplinary meeting BE.BOP. BLACK EUROPE BODY POLITICS (2012-2016).

Alanna Lockward has been awarded by the Allianz Cultural Foundation, the Danish Arts Council and the Nordic Council of Ministers. Her first documentary project on Black Liberation Theology and the transnational history of the African Methodist Episcopal Church (AME) received the production prize FONPROCINE 2013.

alannalockward(at)yahoo.com

%d bloggers like this: