Bibliography | Alanna Lockward

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Ex-Teresa Arte Actual, México, D. F., February 2000

Ex-Teresa Arte Actual, México, D. F., February 2000

Galería Isabel HurleyMálaga 2009Catalogue Essay	Elena Rendeiro. Offline
Consorcio de Museosde la Comunidad ValencianaValencia 2008 Catalogue Essay	Nostalgia de futuro. Homenaje a Josep Renau
Espacio InciarteJunta de AndalucíaSevilla 2008 Catalogue Essay	The Natur(aln)e(ss) of Performance. Performance and/in Nature. I Video-Art
Brumaria, Barcelona 2008Book Essay	Vídeoarte en Latinoamérica.Una visión crítica

Museo Del Barrio, New York 2006Two Catalogue Essays	Voces y Visiones.Highlights from El Museo Del Barrio´s Permanent Collection
CENDEAC, Murcia 2006Book	Apremio.Apuntes sobre el pensamiento y la creación contemporánea desde el Caribe
Online publication 2006www.derbraunemob.de	Schwarz-Black-Afro.Widerspiegelung eines Wortfeldes im Tagesspiegel 2004-2006
momentum Galerie, Berlin 2004Catalogue Essay	Nadja Schöllhammer: Arena
Ifa-Galerie, Bonn-Stuttgart 2003Catalogue Essay	Visa oder die Verhinderung des Reisens
Casa de América-Turner, Madrid 2002Book Essay	Arte contemporáneo dominicano
Generalitat Valenciana, Valencia 2000Catalogue Essay	Políticas de la diferencia.Arte iberoamericano fin de siglo
X-Teresa Arte Actual,Mexico City 2000Catalogue Essay	3 Idos, 3 y 2. Arte contemporáneo dominicano
Art Center South Florida, Miami 1997Catalogue Essay	Insight into Otherness

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Alanna Lockward is a Berlin and Santo Domingo based Dominican author, curator and filmmaker. She is the founding director of Art Labour Archives, an exceptional platform spiraling consistently on theory, political activism and art since 1996. Her interests are Caribbean marronage discursive and mystical legacies in time-based practices, critical race theory, decolonial aesthetics/aesthesis, Blak feminism and womanist ethics. Lockward is the author of Apremio: apuntes sobre el pensamiento y la creación contemporánea desde el Caribe (Cendeac, 2006), a collection of essays, the short novel Marassà & The Nothingness (Partridge Africa 2016) and Un Haití Dominicano. Tatuajes fantasmas y narrativas bilaterales (1994-2014), a compilation of her investigative work on the history and current challenges between both island-nations (Santuario 2014).

She was cultural editor of Listín Diario, research journalist of Rumbo magazine and columnist of the Miami Herald and is currently a columnist of Acento.com.do. Her essays and reviews have been widely published internationally by Afrikadaa, Atlántica, ARTECONTEXTO, Arte X Excelencias, Art Nexus, Caribbean InTransit and Savvy Journal. In 2014 she was the guest columnist of Camera Austria.

At the Museo de Arte Moderno (Santo Domingo) Lockward was appointed Director of International Affairs (1988) and was designated as Selection Jury of the XX Bienal Nacional de Artes Visuales (1996) and as Award Jury in its 26 edition (2011).

She is adjunct professor of audiovisual theory and investigative journalism at PUCMM and has been a guest lecturer at the Humboldt Universität zu Berlin, the Decolonial Summer School Middelburg, the University of Warwick, Dutch Art Institute and Goldsmiths University of London and has been a panelist at the University of Kwa-Zulu Natal (South Africa) and Duke, Columbia and Princeton Universities in the US. She is academic advisor of Transart Institute and is associated scholar of Young Scholars Network Black Diaspora and Germany. She has conceptualized and curated the groundbreaking trans-disciplinary meeting BE.BOP. BLACK EUROPE BODY POLITICS (2012-2016).

Alanna Lockward has been awarded by the Allianz Cultural Foundation, the Danish Arts Council and the Nordic Council of Ministers. Her first documentary project on Black Liberation Theology and the transnational history of the African Methodist Episcopal Church (AME) received the production prize FONPROCINE 2013.

alannalockward(at)yahoo.com

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